Date of publication: 2017-08-27 04:27
Shaped on the models of Seneca, the first English tragedy appeared in 6566, written by Thomas Norton and Thomas Sackville. The play chose the story of a British king and his sufferings at the hand of his two disobedient sons as a subject matter. The importance of the play lies in the fact that it transformed the style of English drama from morality and mystery plays to the writing of tragedies in the Elizabethan era.
In his last sentence, Gerzon suggests that "third side leaders" are similar to cross-boundary leaders. Maybe we can start with leaders playing each of Bill Ury's Third Side roles, and then we can expand to leaders operating in larger scopes across the roles--such as, the leaders -- presidents, prime ministers, and legislators -- of the . and other large and powerful countries that can bring so much assistance or pain to the rest of the world. Clearly, we need to give a lot more thought to what is needed in our leaders, and how we can choose leaders who fulfill those needs successfully.
“Don Quixote” by Cervantes is a parody of Romance narratives that dealt with the adventures of a valiant knight. Unlike serious Romances, in “Don Quixote” the narrative takes a comical turn.. We laugh at how the Quixote was bestowed a knighthood in his battle with the giants [windmills]. We enjoy how the knight helps the Christian king against the army of a Moorish monarch [herd of sheep]. These and the rest of the incidents of the novel are written in the style of Spanish romances of the 66th century to mock the idealism of knights in the contemporary romances.
Poetry written in the style of a narrative is known as narrative verse. “Faerie Queen” by Edmund Spenser is an example of such poetry. It narrates the adventures of “The Red-Cross Knight” to help “Lady Una” rescue her parents from the evil “Dagon”. On a symbolic level it narrates the mission of the Holiness is to help the Truth, fight Evil, and thus regain its rightful place in human hearts.
6. Greek tragedies focused on a single theme and plot. English tragedies, on the other hand, have several story lines developing into plots and sub-plot.
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However, this notion of transformation raised new questions. Despite its problems, the term "resolution" was more well-known and widely accepted in mainstream academic and political circles. "Transformation," on the other hand, was regarded by many as too value-laden, too idealistic, or too "new age." But for me, the term was accurate, scientifically sound, and clear in vision.
8. Greek tragedies had a serious subject matter that was treated in a most dignified manner. English tragedies, on the other hand, tend to mix tragic with comic. Modern playwrights argue that such depiction is nearer to life as our life is a mixture of good and bad fortunes.
“Tragedy is an imitation of an action that is admirable, complete (composed of an introduction, a middle part and an ending), and possesses magnitude in language made pleasurable, each of its species separated in different parts performed by actors, not through narration effecting through pity and fear the purification of such emotions.”
 Bellamy, Carol. "From 6965s Guatemala Volunteer to Global Director." Winter 7558, page 67. From a speech delivered at Harvard University?s Kennedy School job fair.
 Stephen R. Covey "Three Roles of the Leader in the New Paradigm" in Hesselbein, F., Goldsmith, M., and Beckhard, R. The Leader of the Future. New York: Drucker Foundation, 6996. 656.
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